Coming Soon...
In the style of classic 2000AD mixed with Deadline and The Beano, it'll be a 40-50 page black and white comic with lots of action, beer, flying car chases and jokes, wrapped up behind colour covers.
Coming Soon...
Around this time last year I posted a few surviving Christmas card designs that my Dad did to give to friends, family and clients from the early to late 1970s. While he got the later ones professionally printed, the earlier ones he printed himself by creating the image as a lino cut, covered the lino in ink and printed it by passing the card and inked lino through an old mangle to mimic a printing press, kind of like a homemade etching. While tidying up a few months back I came across several prints of another design amongst some of his work. I don't remember this one but it's quite striking in it's graphic grainy simplicity. These are probably experiments in colour to see which version worked best. Personally the middle one works best for me. What do you think? I have no idea when he did this one, but I expect it's the early 70s. Love it...
Not seen since the March 1995 issue of Mondo (#32), this little gem saw Jon Edwards on a very Heavy Metal/Moebius sci-fi vibe. This new remastered version has been digitally restored and coloured very quickly by Yours Truly over a couple of weeks. Colouring isn't my strong point, but I really enjoyed doing this, the perfect pallet cleanser after months doing lots of very intense black and white detail on Fred Fortune. I loved those old Epic Comics reprint paperbacks of Moebius' work back in the late 80s and tried to evoke that colour style and not make it look too digital. My own colour sensibility has probably sneaked in a bit too much... What do you think?
Jon Edwards, apologies for remastering your stuff, if you are out there please get in touch...
Here's some more old architectural studies from the late 90s, around the Southbank Centre and the Barbican in London. First is a pencil drawing, the second and third pen and ink, and the last one is a gouache painting. Kinda like how the blue on the concrete floor looks a bit like water as if it's a view under a bridge.
The next one is a quick watercolour sketch. Here you can see a bit more of the buildings in the background and I'm starting to think about colour.
Then it's time for an Indian ink version. I'm having lots of fun with this one and by now my approach is evolving.
Now it's time to break out the gouache and think in terms of blocks of flat colour. I love gouache although I rarely use it. I used a lot of it mixed with washing up liquid for colouring the acetate cells of animation projects at my second time at art college in Harrow. The washing up liquid gave the paint a bit of flexibility so it wouldn't crack and fall off the acetate before videoing it. The flat colour lends itself to traditional graphic design and my Dad used to use it all the time. It has a very distinct smell and that coupled with the smell of gum arabic instantly takes me back to the 1970s and childhood. The final piece which I don't have anymore was a much tidier A3 version of this. I think the blocks of blue are particularly effective in creating the water which somehow looks a lot stiller.
Of course I have also done an up to date digital version which I think looks even more abstract and graphic. Perhaps even a little stark?